Home!— which I never hoped to see again. Why don’t you wait and see if you do truly love me, then I can believe you? Then I know I am worth waiting for. The thing is, Miss Charvill —’ ‘He told you my name?’ cut in Melusine, surprised. ‘Gérard—’ ‘What now?’ he asked, rife with suspicion. To-night the subtle suggestiveness of those few daring lines, fascinating in their very simplicity, the head thrown back, the half-closed eyes—the inner meaning of the great artist seemed to come to him with a rush. The above description of —the great Figg, by the prize-fighting swains Sole monarch acknowledged of Mary'bone plains— may sound somewhat tame by the side of the glowing account given of him by his gallant biographer, who asserts that "there was a majesty shone in his countenance, and blazed in his actions, beyond all I ever saw;" but it may, possibly, convey a more accurate notion of his personal appearance. Shari was to be protected, to be dissuaded from driving in cars with older boys at night, to be steered away from dope and beer and certain friends who had no plans to work or to go to college.
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