‘To the contrary, I will have you to know something. The three clerks fought for the only window, and saw her whisked into a hansom. " "Possibly not," replied Thames, in some confusion; "but I am not at liberty to speak. The knight mechanically complied with his request. " "But you can imagine it. ‘Do you think because you’ve managed to pull a gun on me—not to mention several daggers and a vicious little knife— that you can get away with it against a man who means business?’ ‘Do you think that the trigger I would not have pulled, or stuck the dagger into you, if you had not been as you are?’ she countered. " "Indeed!" exclaimed the knight, in astonishment. If you don’t like it, I won’t be mad, I promise. His blood would be sweet with it. “Where have you been? All these hours I have been calling for you. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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