The chief scene of these disgusting orgies,—the cellar, just referred to,—was a large low-roofed vault, about four feet below the level of the street, perfectly dark, unless when illumined by a roaring fire, and candles stuck in pyramidal lumps of clay, with a range of butts and barrels at one end, and benches and tables at the other, where the prisoners, debtors, and malefactors male and female, assembled as long as their money lasted, and consumed the time in drinking, smoking, and gaming with cards and dice. “My friends,” she said, “my dear friends, I am going to make the same answer to all of you—and that is perhaps you will say no answer at all. “I have answered all your questions,” she said. I did not know what I was saying. She had but to choose. “With your permission,” he said to Anna, “I shall arrange a bed for him where he is. I am sure that he can be got rid of. When I have traversed the streets a houseless wanderer, driven with curses from every door where I have solicited alms, and with blows from every gateway where I have sought shelter,—when I have crept into some deserted building, and stretched my wearied limbs upon a bulk, in the vain hope of repose,—or, worse than all, when, frenzied with want, I have yielded to horrible temptation, and earned a meal in the only way I could earn one,—when I have felt, at times like these, my heart sink within me, I have drank of this drink, and have at once forgotten my cares, my poverty, my guilt. "I declare you throw me into an ague. You lack only that mechanical knack of expression which is the least important part of an artist’s equipment, but which remains a tedious and absolute necessity.
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